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“Femmes à la chicha” par Eugène Delacroix, 1834
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Artist Keltie Ferris used her own body to paint this series, in which bodies become brightly colored, replicated figures.
In an interview, Ferris discusses these vivid, bodily works:
“Well, armies march. And so do protesters. Modular bodies moving in grids, in formation, showing their power or maybe their resistance to power — that’s a march.”
These images, top to bottom:
1. Keltie Ferris, “Backlash” (2017), oil and powdered pigment on paper, 39 15/16 by 26 ¼ in. (© Keltie Ferris, image courtesy the artist and Mitchell-Innes & Nash)
2-3. Installation view of M/A/R/C/H at Mitchell-Innes & Nash, New York (photo by Mark-Woods.com, © Keltie Ferris, courtesy the artist and Mitchell-Innes & Nash)
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